Production music refers to music which is owned by production music libraries.
Usually the music is composed particularly for use in Film, TV, Radio, multimedia as well as Business.
Since these libraries generally own all of the rights in the music they can licence it right without the need to have to gain permission from writers or composers. It is able to as a result be licensed immediately with an obvious price to the end user.
The benefit of a production music library would be that it can cater to a wide range of musical styles as well as themes with numerous libraries holding ten of a huge number of cuts and tracks.
Production music gives producers and directors a platform from which to choose audio that is ideal for their brief or project. Libraries often have tracks relevant to current musical genres, culture, charts and styles. Many libraries are going to hold music across the entire spectrum of music history as well as include Classical, Jazz, Blues, Rock n Roll, Dance and Reggae – amongst a host of contemporary themes or collections created for business or media applications.
The convenience factor means that any person who needs production library music can pick from a big selection of styles, access the audio from one place and learn precisely how much it will cost. Most libraries have Rate Cards so producers can budget for the costs of a project in advance.
Their is additionally the peace of mind that numerous libraries will frequently have a piece of music suited for the job and if not will help you to find some. Quite a few will also offer custom music production services.
History of Production Music
Typical music for production has been around since the days of silent cinema. In those days the audio was supplied in form that is written and also sent over to small orchestras and bands who would perform the good living in time with the film.
Since then many production music companies have gathered audio and sound libraries. These include Boozy & Hawkes, KPM, Sony BMG, EMI, Extreme Music, Sonoton, Cavendish, de Wolfe and Many others.
Traditionally, music libraries sent out the music collections of theirs on CD. These days it’s much more prone to be accessed via the internet, file-downloading, hard disk or CD’s, CD-Rom, DVD-Rom
Production Music Online
The Internet has enabled music for production to be distributed online via downloading. It has also presented a platform for new corporations and libraries to set up independently.
There are a lot of production music libraries online. The quality and price tag can vary enormously as can the actual license terms or even use of the music. However production music downloads today seem to be the preferred method for many media professionals around the planet.
Royalty Free Music
Royalty free music varies a little to the attributes of production music.
Production music has often been licensed on a pay-per-use basis. That’s you pay for every use of the music – In case you need to pick music on a television set show then you license the rights for that. In the event that you would like to in addition use that music on an interactive CD Rom then you will be required to license those rights.
Royalty free music on the other hand offers customers a way of getting a CD of the music that can then be used as often times as you like without any further payments or even fees.
However the Internet along with other issues has meant that a great many royalty free music libraries now operate a lot more like traditional production music libraries and vice versa.
This is probably attributed to the expansion of independent music libraries who can develop their own personal finance and license models according to their own marketplace requirements.
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Sync Fees and Dub Fees
A fee for the licensing of their music is charged by a Production music company. This is often referred to a’ Synchronization Fee’ or’ Dub Fee’. This’s one of the primary income streams for music libraries.
Performing Rights Organisations
Performing Rights Organisations (PRO’s) protect, administer and collect performance royalties on behalf of its member composers, publishers and artists.
Performance royalties are generated when music is broadcast on Radio or TV or even played in places which are public as restaurants as well as other business spaces.
Music which is publicly performed or broadcast has to be licensed. For instance a broadcaster like the SKY or BBC has to pay to broadcast music as do restaurants, shops and users of music on hold systems and others.
These licenses are issued by PRO’s to music users whenever music is broadcast to the public. The revenues from these licenses will be collected and split up between all of the members of that particular PRO.
Most countries have their own PRO such as PRS (UK), ASCAP (USA), GEMA (Germany). Many countries have much more than one.
See the FULL LIST of Performing Rights Organisations
Music libraries are typically also music publishers. The musical works of theirs are published via a PRO and public performance or any broadcast of that music will accrue performance royalties.